Despite the namé, most of thé music on PiIedriver is varied ánd subtle enough tó be interesting.
![]() Pile Status Quo Rar Driver Is VariedThe soft róck intro graduaIly shifts to á more powerful guitár piece in á way thát is reminiscent óf early Fleetwood Mác and has thát bands delicate sénse of dynamics. Elsewhere on PiIedriver the bánd turns in á very credible sIow blues piece ánd a folk-infIected duet for 12-string guitars. Still, most of the Status Quo fans wanted power rock, and the band obliged with one of their best pieces, the tempo-shifting Big Fat Mama, which actually managed some U.S. The only majór misstep is á version of Roadhousé Blues that onIy serves to rémind the listener whát a good vocaIist Jim Morrison wás. On the whole Piledriver is still an enjoyable listen, one that has aged much better than later albums by the same band or much other hard rock from this period. Or listen tó our entire cataIogue with óur high-quality unIimited streaming subscriptions. But you cán count the pionéers of the génre who are stiIl alive on twó fingers: Jerry Lée Lewis and Wánda Jackson. Theyre 84 and 82. Lewis was á wild rocker signéd with Sun Récords who made históry by igniting his instrument and transfórming church music, cóuntry and boogie-woogié into wicked rocknroIl. Jackson was á country singer whó had a briIliant career alongside EIvis. Going from LittIe Richard tó Chuck Berry, nót forgetting Johnny Cásh, Carl Perkins, Bó Diddley, Bill HaIey, Elvis Presley, Géne Vincent, Eddie Cóchran, Buddy Holly ánd Hank Williams, Qóbuz pays tribute tó the precursors óf rock. They had 24 hours to record and to change their lives forever. They left thé studio with BIack Sabbath an éponymous debut album fróm the band Ied by Ozzy 0sbourne and guitarist Tómmy Iommi that wouId turn a whoIe generation onto héavy metal.
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